The screenplay for Stoker ended up on the 2010 “Black List”, an annual aggregated detailing of the best
unproduced scripts making their way around Hollywood. Luckily for us the film
ended up being produced, and has in turn become the disturbing, messed up family
drama Miller is sure to have originally hoped it would be.
Stoker stars Mia
Wasikowska as India Stoker, a strangely quiet girl by nature who’s mourning the
death of her father, Richard (Dermot Mulroney). Often pushed aside by peers and
neglected by her own mother, Evelyn (a perfectly cast Nicole Kidman), the
wealthy family and their estate gets a shake up when brother to the recently deceased, Charlie (Matthew Goode) shows up. A man India didn't even know
existed. In between Evelyn’s obvious attraction to Charlie and India's descent
into isolation , Charlie becomes the epicentre of a number of seemingly unrelated disappearances
by those close to the family – some of which who know much darker things about
the harmless and charismatic "cool uncle" façade Charlie puts on for those around him.
Although set in the present day the film has a timeless
appeal. Chan-wook’s choice of mise-en-scene and framing are delightfully odd
yet visually appealing, while Stoker’s dramatic and eerie tendencies are very
reminiscent of M Night Shyamalan's The Village.
His direction also makes you see
directly into the minds of our mentally “not-all-there” screen leads, all of
which perform tremendously throughout the film. Yes, Stoker can be slightly confusing in parts, but what it lacks in linearity
it makes up for in sheer shock value and savagery.
It's really great to see solid and original American films can still be made.
B+
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