Rihanna is barely a human being. Unapologetic marks the
stars 7th official studio album, more than Christina Aguilera and tying with
Britney Spears. Funnily enough it's also her fourth consecutive annual album
release for the month of November, with Talk That Talk, Loud and Rated R preceding
Unapologetic in 2011, 2010 and 2009 respectively. Although Rihanna may churn
out albums faster than the Pussycat Dolls turnover rate, this is her only LP
that actually feels rushed, with little thought gone into various aspects of the album.
'Phresh of the Runway' produced by pop and R&B
mastermind The-Dream contains his killah
signature but is in fact a slightly weak and redundant opener. Third track 'Numb'
featuring Eminem is almost too ironic as it is in fact mind-numbingly repetitive. As
Rihanna makes her way through the album, flirting with various musical styles
including pop ballads ('What Now', 'Stay'), dubstep and dance ('Jump' and 'Right
Now'), and 80s synth ('Love Without Loss') it is on the contemporary R&B
styles and reggae fusion track 'No Love Allowed' in which the star truly shines.
It's best to steer completely clear of 'Nobody’s Business' a
throwback collaboration with ex-boyfriend Chris Brown (sample lyric: "You’ll always be mine, sing it to the world,
always be my boy, always be your girl"), as the two lament the past
claiming that it is in fact nobody business. The problem with this is
the fact that the two choose to make their relationship everyone's business by writing and
singing about it.
The album features heavier twinges of R&B than Rihanna's recent records have. But as previously stated, the album
ultimately feels hurried and to be completely honest, lazy in its production and lyrical content.
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Key Tracks: Diamonds, Love Without Loss/Mother Mary, No Love Allowed
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Key Tracks: Diamonds, Love Without Loss/Mother Mary, No Love Allowed
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